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Bach, C. Sounds much more difficult than it actually is. D minor — Aria Lyrical sonata much easier than it sounds. Slow and melancholic. Although just one page long it requires some musical maturity to be truly effective. This is an ideal piece to open a recital, since it is slow and introspective it will calm you down. This is a real gem. Only 24 bars long, technically unchallenging grade 3 , and yet one of the most beautiful sonatas.

Slow paced and exuding tranquillity, this reflective piece is the best of the four. Although this should be played fast, it is still effective if use a slower tempo. Just 16 bars. This is a one-movement sonatina only 49 bars long that sounds much more difficult than it actually is.

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A hilarious fugue with chopsticks on the RH and very fast scales over two octaves on the LH. An excellent encore. Promenade — Joyful and bouncy A slow thoughtful piece, only 28 bars long A major — Beautiful lyrical sonata and technically undemanding. With no. It sounds far more difficult. Beginners can easily master this movement at slow speed. More advanced beginners can start working on speed. How to work for speed, how to get accuracy, etc. Omit the ornaments for the early beginners. Very easy, but due to the unexpected skips it teaches one to think ahead. Excellent for forearm rotation and bringing the bass melody over the mist of sound created by the very fast RH.

Hands swap figurations occasionally, so both hands get a workout. Andantino Andante Assai Historiette Waltz - A nice little waltz with unexpected turns of the harmony. Wonderfully tonal and yet very modern. The moon strolls in the Meadows — This is my top favourite — A beautiful, melodic piece of great delicacy with the melody played alternatively in the right and left hand.

Lentamente - Slow and melancholic F minor — Allegro — A not too fast, beautiful two voice invention that moves in a relentless way with one of the most beautiful motifs of all sonatas. Crossing hands. Broken chords figuration in both hands. Harmonically adventurous and mood setting. A masterpiece. Sonata K Sonata K G major — Allegro — Also known as Capriccio, this is celebratory, joyful and uplifting music that is much easier to play than it sounds. An all time favourite. Wide skips, echo effects, but fits the hand surprisingly well. One of my favourites. Bb major - Allegro A two voice invention with a third voice intruding on the last two bars of the first part , this is excellent for finger and hand independence.

The left hand which demands a hand span covering at least an octave plays sonorous chords and tone clusters — with up to ten notes! This Sonata was composed in Here Scarlatti succeeds in making conventional harmonies with slight changes sound quite extraordinary for the period. The Sonata has real Spanish character with vitality and bravura. Musically, the guitar-like sounds of the left hand chords are particularly fascinating. An insistent and catchy motif keeps bringing the sonata together. Unusual syncopations. Requires a sizeable hand span and accurate skips in some of the figurations.

A slow, full-of-longing melody increases gradually in intensity up to an unusual harmonic climax. Great to play and to listen to. Excellent for finger control and coordination, it is actually much easier than it sounds.

Great fun to play. A most beautiful melody on the second part.

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Harmonically advanced and elaborate — at seven pages is one of the longest sonatas - this is a masterful sonata with a superb central melody. Reflective and spiritual. Technically undemanding. G major — Andante spirituoso After a calm opening and nice little folk-like tune this sonata goes onto a breathless sequence of scurrying scales and broken chords over the entire length of the keyboard on both hands.

Unexpected changes. Good Czerny replacement and warm-up piece. Tranquil and luminous, this is a masterpiece. C major — Allegro A beautiful sonata full of guitar sounds and Spanish nostalgia. A fast introduction is followed by a most evocative second part. With occasional 4-voice couterpoint it has dignified, overlapping phrases. Two voice invention with an occasional third voice equally shared between hands.

Effective at a slower tempo. Great warm up. It is a bit more difficult though. Both of these however are not quite full-fledged sonatas they were most likely composed as exercises for his students. It is considered to be around grade 7, but if you can manage grade 5 pieces, you can manage grade 7.

Main difficulty is pedal use. The melody is in the left hand while the right hand plays a repeated but complex dotted rhythm pattern. Fast and delicate with lots of thirds and scale runs on the right hand, but no difficulty at all in the left hand. Difficult to play at full speed but easy if played slowly and still effective Recorded by Ivo Pogorelich for DG.

Very unusual sonata. The main difficulty is to be found in the several bars where the hands cross. There are some thirds and sixths but they are easily negotiable. C minor - — A beautiful , tranquil and lyrical sonata that grows in emotional intensity as it develops. A minor — Adagio — Beautiful lyrical writing in three and four part couterpoint. Excellent as a study in voicing. Recital material for the intermediate player. Fast repeated notes, broken chords, arpeggios, leaps, crossing hands, scale runs. This unusual, percussive — watch out for the castanet sounds! Great fun to play and an excellent virtuosistic piece to end a recital on a high note.

If you are looking for a Czerny alternative look no further: it is a study for the left hand plus repeated notes, broken thirds, sixths and octaves. Also good practice for quick adjustments.

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One of my all time favourites. Although it sounds dazzling and virtuosic it is much easier than it sounds. Main difficulty are the fast alternating hands. E flat major - Allegretto — A beautiful, lyrical sonata not too slow.

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Dramatic and powerful, this 2 voice invention with a third voice intruding on 4 bars near the start of the second part is still effective at a slower tempo. Great show off piece. If you want to develop a certain kind of technique, burn the Czerny and play this sonata instead. C minor — Allegro — Beautiful lyrical sonata slightly reminiscent of K 69 with a weaving three voice counterpoint.

Enharmonic modulations and movement into remote keys. And if you need a study in phrasing and legato this sonata is for you! Dotted figuration, including dotted rests.

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This is a 2 voice invention with the figurations equally distributed between the hands. Urgent and dramatic it will still be effective at a slower tempo. Technical problems are minimal. C major — Allegro.